As some of the biggest artists, songs and albums in Latin music are celebrated at the 2022 Latin GRAMMYs, so will its next generation in the Best New Artist category.
This year, there are 11 nominees: Ángela Álvarez, Sofía Campos, Cande Y Paulo, Clarissa, Silvana Estrada, Pol Granch, Nabález, Tiare, Vale, Yahritza Y Su Esencia, and Nicole Zignago. Whether you’re a huge fan or new to the names, GRAMMY.com has all the info you need to know about each of those artists ahead of the Nov. 17 broadcast.
Below, get to know all of the 2022 Latin GRAMMY Best New Artist nominees. Then, be sure to tune into the 23rd Latin GRAMMY Awards on Univision at 8 p.m. ET/PT (7 p.m. CT) to see which rising star wins!
The 2022 Latin GRAMMYs will also air on cable channel TNT at 19.00 (MEX) / 20.00 (PAN-COL) / 21.00 (VEN) / 22.00 (ARG/CHI/BRAZIL), and on Televisa Channel 5. The show will also be available on HBO Max in Spanish only.
Angela Álvarez’s story is like something out of a movie. At an early age, she was forbidden by her father from pursuing a career singing in Cuban nightclubs. After the Cuban Revolution, she made the harrowing decision to send her four children to the United States. After joining them later and building a life in her adopted homeland for decades, her grandson, composer Carlos José Álvarez, recorded her performing the songs that had entertained countless family gatherings. Condensing an entire life into one powerful hour, her self-titled debut was a sensation. It not only made the 95-year-old bolero singer the oldest Latin GRAMMY nominee, but also a film star, with an acclaimed biographical documentary (Miss Angela) and a role in the latest remake of Father of the Bride. — Andrew Casillas*
Sofía Campos, an independent singer/songwriter from Argentina who makes dreamy, inviting and heartfelt music in Spanish and Portuguese, describes it as “a mix of the places I’ve visited: Brazil, Mexico, Argentina.” In 2021, she self-released her sunbeam-filled 10-track sophomore album, Lugares Imaginarios, recorded with producer Matías Cella. It features her beautiful collaboration with Natalia Lafourcade, “Verde Nocturno,” as well as one with her brother, Chaco Campos, “Segredos Nossos.” She released her first EP, Rosa Laranja, in 2018, followed by her debut album, Salvar El Fuego, in 2019. The prestigious South by Southwest Conference selected her to perform as an official artist at its Austin, Texas, festival in April, her first U.S. show. Campos wears her heart on her sleeve with her music, which is perfect for a walk admiring nature or a laid-back cafecito break. — Ana Monroy Yglesias
Cande Y Paulo
Cande y Paulo embody all that is unexpected and sensuous in a style that blends jazz, the classics and the unflinching daring. One day in 2017 this duo decided to upload to social media their performance of the eternally beloved song by Luis Alberto Spinetta, “Barro Tal Vez.” A few months and 10 million views later, many discovered that the Cande Buasso y Paulo Carrizo duo was a force to be reckoned with. Hailing from a valley in the San Juan province of Argentina, they’re both tenacious, products of a classical music education and families with diverse tastes in music and rhythms. Paulo impresses with his musical prowess, and Cande bewitches with her velvet voice. The end result is a sound that has already traveled much further than they ever imagined. — Ana Santiago
Going from social media influencer to Latin GRAMMY nominee in the span of a year and a half would be a feat for anyone. But for Brazilian indie pop chanteuse Clarissa Müller, it seems almost expected. She has a versatility that’s exceedingly rare these days and that is reflected on her self-titled debut EP. Anyone expecting simple songs about overnight fame will be quickly surprised, however, as Clarissa explores themes like love, desire and empowerment with a startling maturity. Perhaps this is best showcased on the single “Ela,” which details a burgeoning same-sex romance and the accompanying fear, anxiety, affection and tenderness that are familiar to anyone who’s ever been in love. — Andrew Casillas
Silvana Estrada calmly entered the Latin music landscape, and her poetic revolution instantly began. Reared in a family of luthiers in Coatepec, Veracruz, where the son jarocho resonated, the singer and multi-instrumentalist searched her soul to find her voice early on. Her roots, also inspired by jazz, run deep in Latin American folklore, cultivating a powerful, intimate voice that at times channels the spirit of its greats; think Chavela Vargas or Mercedes Sosa. One quality of her raw, hushed voice is that it can turn fiery in an instant. Paired with the pristine fingerstyle of her Venezuelan cuatro, it can evoke the twinkling of a starry night, and the sky’s more thunderous moments too. Despite her latest work sprouting from lost love (2022’s “Marchita” or “withered”), it flourishes brilliantly like a rose sprouting from concrete. — Isabela Raygoza
Barely into his teens, Pol Granch (born Pablo Grandjean) began to release songs on social media. In 2018, a TV musical talent contest in his native Spain, Factor X España, opened doors for him. In 2019, he released his first single, “Late,” and a self-titled EP. They would be followed by a debut album, Tengo Que Calmarme. Since then, however, the agenda of this pop singer/songwriter, who also claims French heritage, has been anything but calm. Last year, he found widespread recognition with a single and remix, “Tiroteo,” featuring Marc Seguí and Rauw Alejandro, respectively. And this year, the twentysomething has another album to his name, Amor Escupido. Spit Love? Well, no one ever said love was easy to understand. — Juan Carlos Pérez-Duthie
With his rugged mix of cowboy-pop with an R&B sensibility, up-and-coming Colombian troubadour Nabález is someone to watch. Growing up in Atlanta, Felipe González Abad got immersed in the world of gospel and country, but his heart is clearly in his Colombian heritage as he delves ever deeper into the art of the Latin American ballad. As a producer, the beatmaker started cooking tracks for Latin pop stars like Bebe, Greeicy and Karen Méndez, which elevated his proficiency in contemporary pop. As a solo artist, Nabález set his sights on the regional Mexican music horizon, mastering genres such as ranchera and banda. With a string of successful singles that comprise his ranchera debut and with worthy collaborators such as Majo Aguilar (granddaughter of Antonio Aguilar, an icon from Mexican cinema’s golden age), his star will only shine brighter. — Isabela Raygoza
Venezuelan-Peruvian newcomer Tiare’s aptly titled debut EP Dieciséis is a compositional snapshot with material she wrote between the ages of 13 and 16.
It displays thematic maturity and a knack for songwriting. And her mostly
acoustic guitar-driven pop ballads “La Española,” “Líneas De Tu Mano” and “Evaluna” showcase Tiare’s songwriting talents and her ability to convey coming- of-age themes in a nuanced and relatable way within a warm, flamenco-tinged vocal delivery and skillful guitar. “Evaluna,” produced by Latin GRAMMY-nominated hitmaker Periko (Periko & Jessi León), surpassed one million views on YouTube. It’s evidence that Tiare’s talents are rooted in her ability to connect with a wider audience through her music. — Lissette Corsa
Vale, the Colombian duo comprised of twin sisters Valentina and Valeria Pérez, displays a rare combination of voices that are at once diaphanous and strong, and they’re causing quite a stir in the Latin indie-pop music scene. Together they float ethereally as they overlap and meld harmoniously against a beguiling blend of R&B and folk-pop. Their latest album, Línea Recta, is a collection of eight tracks described by the sisters as “a tribute to imperfections and real beauty.” Vale’s otherworldly melodies and minimalist acoustic arrangements connote light effervescence on the surface and something deeper within, draped in heartfelt lyrics and tender poeticism, that explore the many crevices where love likes to hide. — Lissette Corsa
Yahritza Y Su Esencia
They’ve been called the great new promise of regional Mexican music, even though at the beginning of the year, the vocalist of Yahritza y Su Esencia was still in high school. Along with her instrumentalist brothers, Jairo and Mando, Yahritza Martínez grew up in a working-class family in Yakima, Washington. As a small child, she picked fruit in the fields, and at 13 she composed “Soy El Único,” with which she tasted digital fame on YouTube. Today, the three Martínez siblings are with Lumbre Music. The label’s directors saw a video of a cover made by the group and became, like the title of the trio’s debut EP, Obsessed. No matter what the future holds, these young talents understand that they must preserve what sets them apart them: their essence. — Juan Carlos Pérez-Duthie
This past year, Nicole Zignago has gone from behind-the-scenes hitmaker into the spotlight. The Peruvian singer/songwriter made her reputation co-penning global hits like Sofía Reyes’ “1, 2, 3” and Mariah Angeliq’s “Taxi.” After signing with Warner Music México late last year, Zignago debuted as an artist in May with the EP Así Me Siento Hoy. As the title suggests, she has compiled a collection of six deeply personal songs that showcase her versatility. Soaring ballad “Preguntas” finds her processing her feelings after a difficult breakup. Later, in the flamenco-infused “Feelings,” Zignago has shaken off the heartbreak. She also embraces elements of R&B in the funky love song “Me Gusta Que Me Gustes.” Zignago, also known for being the daughter of singer Gian Marco, is now making a name for herself. — Lucas Villa
2022 Latin GRAMMYs Nominees Announced: See The Complete List