Adaptations of big, complex books often face the challenge of starting slowly due to the amount of information that needs to be conveyed. This was the case with popular series like Game of Thrones and The Rings of Power, and it was particularly evident in the first few episodes of Foundation on Apple TV Plus. The show, based on Isaac Asimov’s novels, introduced unique concepts such as psychohistory and a genetic dynasty, which required a significant amount of exposition.
David S. Goyer, the showrunner of Foundation, acknowledged that the heavy exposition in the first three episodes of season 1 was unavoidable. Despite their efforts to find alternative approaches, the team ultimately decided to explain the complex concepts and hope that the audience would remain engaged. Goyer believes that this might be an inherent challenge of adapting such ambitious, novelistic shows. He noted that many great shows he has come to love also took time to build momentum.
However, with season 2 of Foundation, Goyer and his team felt liberated and relieved from the burden of exposition. The primary goal for this season was to make the show more approachable and broaden its audience. They achieved this by delving into the internal lives of characters, increasing the amount of action (including an impressive fight sequence in the first episode), and introducing elements of humor and even some sex. Goyer wanted to infuse more levity into the series, inspired by Asimov’s own writing style.
Goyer emphasized that the intention was not to change the essence of Foundation but rather to present it in a way that would make it more accessible to new viewers. The show explores the messiness of human nature, adding layers of complexity to the story. Goyer wanted to include scenes that audiences wouldn’t expect from season 1, pushing the boundaries of the narrative without being gratuitous.
Despite the complexity of the show and its multiple time jumps, warring factions, and intricate storylines, Goyer and his team employed various tools to stay on track, including show bibles, flowcharts, and copious Post-it notes. However, the filming process itself adds an extra layer of complexity. Episodes are not shot in chronological order, and multiple scenes are often filmed simultaneously by different units. This logistical challenge requires careful coordination and organization.
One tactic Goyer employs is not revealing too much to the actors, even if they express their desire to know. He believes it’s important for them to remain in the present moment of their characters’ journeys. He holds back certain scripts, including the finale, until necessary and keeps certain plot details hidden from actors until it’s absolutely necessary for them to know. This approach prevents them from playing characters’ future developments, despite the show’s nature of exploring the future.
While Foundation has only been confirmed for two seasons so far, Goyer has ambitious plans for its future. He envisions a total of 80 episodes spanning eight seasons. The outline for the story is in place, but Goyer acknowledges that the journey towards those major plot moments can evolve and change as the show progresses. He embraces the philosophy of “burning” ideas when the opportunity arises, rather than waiting for a later season. This principle is something he learned from working with Christopher Nolan, the director of The Dark Knight.
In conclusion, season 2 of Foundation aims to make the show more accessible and enjoyable for a wider audience. David S. Goyer and his team have focused on exploring the internal lives of characters, injecting humor, and increasing the level of action. Although the show remains complex, its goal is to engage viewers and draw them into the messy, intricate world of Foundation. As the series progresses, Goyer plans to adhere to the initial plan while also embracing opportunities for creative adjustments and surprises along the way.
