The Netflix film, “Happiness for Beginners,” directed by Vicky Wight, presents an intriguing premise that combines elements of offbeat romantic comedy, sitcom-style humor, and self-discovery drama. Starring Ellie Kemper as the protagonist, Helen, the film takes us on a journey through the woods as Helen attempts to recover from her divorce and find happiness again.
In the traditional romantic comedy genre, we expect our heroine to find peace and hope during her journey, and perhaps even a new romance. Set in the scenic upstate New York, Helen’s wilderness survival course promises to provide the perfect backdrop for her transformation. As she bonds with her fellow campers, we anticipate a couple worth rooting for and insightful life lessons. The film is based on Katherine Center’s novel, and viewers may be inspired to check out the book after watching the movie.
However, “Happiness for Beginners” doesn’t follow the traditional romantic comedy formula. Instead, it tries to stretch the boundaries of the genre, incorporating elements of sitcom and drama. Unfortunately, it doesn’t give enough attention to either genre, resulting in a film that feels stilted and uneven. Helen’s character remains somewhat opaque, her romance lacks vitality, and her journey of self-discovery becomes an endurance test for both the character and the viewer.
Helen, portrayed by Ellie Kemper with endearing self-protectiveness, is determined to reset her life after her divorce from Mike (played by Aaron Roman Weiner). However, contemplating the flaws of her marriage and her hopes for the hiking trip at a house party proves to be an uncomfortable experience. Eventually, she meets Jake (Luke Grimes), her brother’s best friend, who asks about her well-being and invites her to stay for another drink. Despite her initial refusal, she starts to reconsider her plans for the hiking trip.
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Throughout the film, the audience is left wondering about the past versions of Helen and who she used to be. Unfortunately, the screenplay fails to provide a satisfactory exploration into Helen’s character. Her interactions with Jake raise questions about their shared history and the possibility of a romantic connection, but the relationship lacks development and emotional investment. The courtship between Helen and Jake feels stiff and polite, rather than passionate and engaging.
In an attempt to compensate for the lack of character development, the film delves into a pseudo-office-sitcom style as Helen, Jake, and their fellow hikers traverse the wilderness. The screenplay highlights their daily routines and portrays the different personalities within the group. These moments add depth to the film and show the skills required to survive in nature. However, while the other characters receive attention, Helen’s storyline feels fragmented and underdeveloped.
The film also attempts to incorporate a spiritual aspect, reminiscent of “Eat, Pray, Love” but in a subtler manner. Helen expresses her desire to stop breaking promises to herself, setting the stage for potential self-discovery and growth. As the journey progresses, Helen begins to embrace the mystery and freedom of her future among the coniferous trees and shimmering rivers. While this exploration adds a layer of complexity to the film, it isn’t enough to fully redeem its shortcomings.
Overall, “Happiness for Beginners” falls short of its potential due to its disjointed narrative and underdeveloped character arcs. However, it does offer glimpses of what could have been achieved with more focused storytelling. Ellie Kemper delivers a heartfelt performance as Helen, and the film’s scenic setting and moments of humor provide some enjoyment. Despite its flaws, “Happiness for Beginners” may still appeal to viewers seeking a lighthearted romantic comedy with a twist.
