Drake is not holding back in his latest album, “Utopia,” as he takes aim at both Pusha T and Pharrell Williams. In the track “Meltdown,” Drake goes after Pharrell, claiming that he bought his coveted N.E.R.D. jewelry just to alter it. This is a direct response to Pharrell’s recent gig at Louis Vuitton, where he succeeded Virgil Abloh as the men’s head designer. Drake ruthlessly declares that LV is a faded brand now that Virgil Abloh has passed away.
But it’s not just Pharrell who is in Drake’s crosshairs. He also mentions Pusha T and taunts him by saying there is no reason for him and his camp to avoid confrontation. Drake confidently states that his tour schedule is easy to find, implying that if Pusha wanted to settle their differences, he knows where to find him.
Interestingly, there have been rumors that Jim Jones did the dirty work for Drake in his beef against Pusha T. However, Drake asserts that he can fight his own battles and doesn’t need anyone’s help. This statement comes after Drake flexed Pharrell’s rare stones in his “Jumbotron Shit Poppin” video, which Jim Jones was accused of facilitating.
Drake even hints that he would have confronted Pusha T during Paris Fashion Week, but Vogue magazine’s $4M lawsuit against him prevented him from doing so. This lawsuit seems to have added fuel to the fire and suggests that Drake is ready to confront Pusha whenever the opportunity arises.
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Drake’s boldness and confidence are evident in his lyrics, and he doesn’t hold back when it comes to taking shots at his opponents. He has already embarrassed Anna Wintour by using her image as a stage prop, and now it seems that Pusha T may be the next target of his lyrical attacks.
It’s clear that Drake is not afraid to confront his rivals head-on and make his feelings known through his music. With each release, he continues to establish himself as one of the most influential and controversial figures in the rap industry. Fans eagerly anticipate the response from Pusha T and Pharrell Williams, as this beef continues to unfold.
