Saltburn, the highly anticipated second film from writer and director Emerald Fennell, made its world premiere at the Telluride Film Festival’s Palm Theatre. Three years after her critically acclaimed film Promising Young Woman, for which Fennell won the Best Original Screenplay Oscar, Saltburn left audiences talking.
Similar to Fennell’s first film, Saltburn is a pitch-black comedy filled with sex, violence, and music. The story follows a young Oxford student named Barry Keoghan, who was nominated for an Oscar earlier this year for his work in The Banshees of Inisherin. Keoghan’s character is attempting to integrate himself into the life of Jacob Elordi’s character, a wealthy individual from Euphoria. Elordi invites Keoghan to spend time with his rich family, including his mother played by Rosamund Pike, his father portrayed by Richard E. Grant, and his sister played by Alison Oliver. The film takes place in the family’s mansion, from which it derives its title, and showcases power plays, head games, and overall outrageous behavior.
In his review for THR, David Rooney highlights the film’s derivative nature. It draws inspiration from various sources, including Alfred Hitchcock’s early Hollywood films Rebecca and Suspicion, Sofia Coppola’s The Virgin Suicides, Anthony Minghella’s The Talented Mr. Ripley, Barbet Schroeder’s Reversal of Fortune, and Single White Female, among others.
However, despite its derivative nature, Saltburn manages to captivate and provoke laughter consistently. It is a testament to Fennell’s exceptional writing skills and, more importantly, the exceptional performances from the entire cast. The standout performance that has the strongest potential for awards recognition is Barry Keoghan’s. Keoghan, an up-and-coming star, is given the opportunity to shine in Saltburn unlike ever before. He fearlessly explores territories not every actor would venture into and could follow in the footsteps of Carey Mulligan, who received an Oscar nomination for her lead role in Promising Young Woman and also appears in Saltburn.
Expanding on the film, Fennell’s unique storytelling style shines through in Saltburn. The film explores themes of obsession, manipulation, and the dark underbelly of privilege. Fennell expertly weaves together a narrative filled with tension, surprises, and thought-provoking moments that keep viewers engaged from start to finish.
One aspect that sets Saltburn apart is its vivid portrayal of the affluent lifestyle. Through elaborate production design and breathtaking cinematography, Fennell brings the opulence and decadence of the characters’ lives to the forefront. The grandeur of the mansion serves as a backdrop for the intense power dynamics and mind games played by the characters.
Additionally, the film’s dark humor adds an extra layer of entertainment. Fennell skillfully balances the comedic moments with the darker elements of the story, resulting in a film that is equal parts funny and unsettling. The comedic relief serves as a release valve amidst the tension, making the viewing experience both engaging and enjoyable.
Saltburn’s success is also attributed to the chemistry and talent of its cast. Each actor delivers a captivating performance, bringing their characters to life with depth and nuance. Rosamund Pike commands the screen with her portrayal of the matriarch, exuding both grace and cunning. Richard E. Grant captures the essence of a controlling patriarch with his commanding presence. Alison Oliver brings an air of mystery and complexity to the role of the sister, leaving audiences guessing her true intentions. Jacob Elordi showcases his versatility as he navigates the complexities of his character’s relationships.
With Saltburn, Fennell proves once again that she is a powerhouse in the world of filmmaking. Her distinct vision and ability to create multi-dimensional characters resonate with audiences and critics alike. While the film may draw inspiration from various sources, Fennell’s unique voice and storytelling style shine through, making it a compelling and unforgettable cinematic experience.
In conclusion, Saltburn’s world premiere at the Telluride Film Festival left a lasting impression. Fennell’s sophomore film showcases her talent as both a writer and director, with its dark humor, compelling narrative, and outstanding performances. The film’s derivative nature is outweighed by its consistency and engagement. Saltburn further solidifies Fennell’s place as a rising star in the film industry, and it will certainly be a contender during awards season.