FX and Hulu’s A Murder at the End of the World is a show that delves into the complexities of human nature, the interplay of emotions, and the consequences of actions. Set in a remote Icelandic hotel, the story revolves around a group of characters who are meant to be geniuses, gathered for a retreat hosted by a tech billionaire, Andy (played by Clive Owen). The characters engage in deep conversations and debates about climate change, surveillance, and the future of humanity. Despite the lofty ideas and big discussions, the series takes a turn when a member of the group dies under mysterious circumstances, leading to the realization that human emotions and actions have a far greater impact than mere intellect and ideas.
As the plot unfolds, the character of Darby, portrayed by Emma Corrin, emerges as a pivotal figure. A 24-year-old hacker and amateur sleuth, Darby is certain that the death at the retreat is a murder, based on her experience chasing down a serial killer, chronicled in her memoir. The show seamlessly weaves between the current investigation and the one that propelled Darby to fame, drawing inspiration from Agatha Christie’s precision, Scandinavian noir’s chill, and the romance of American road trips. Adding a touch of sci-fi, the series incorporates cutting-edge technology introduced by Andy, including an advanced AI named Ray.
Visually, A Murder at the End of the World is stunning, capturing the beauty of Iceland’s wilderness and the specific details of each setting. From the rundown motels to the luxury suites, the production design brings each location to life. The characters are equally captivating, with their idiosyncrasies and inner worlds skillfully portrayed on screen. Emma Corrin’s Darby stands out with her wide range of emotions, forming a compelling bond with Harris Dickinson’s Bill.
Despite its captivating visuals and characters, the series has its rough patches, including uneven pacing and some heavy-handed dialogue. The breadth of themes explored, such as misogyny and wealth inequality, are at times relegated to the background, leaving some ideas and topics underdeveloped. However, the emphasis on individual characters over complex ideas reflects a humanist core, with Darby’s dedication to seeking justice serving as a driving force for the narrative.
One of the show’s most compelling aspects is the deconstruction of the traditional whodunit genre, challenging the glorification of murderous masterminds and shifting the focus to the stories of the victims. By humanizing the victims and prioritizing their stories, the series sets itself apart from conventional crime dramas. It also emphasizes Darby’s emotional investment in her cases, highlighting her commitment to ensuring that justice is served.
Overall, A Murder at the End of the World invites viewers to engage with the complexities of human existence, the contrast between beauty and pain, and the importance of paying attention to the present moment. While it may have its moments of circling around its central concerns, the series ultimately underscores the significance of human emotions and actions in shaping our world. With its blend of mystery, drama, and introspection, the show offers a thought-provoking exploration of the facets of human nature and the impact of our choices.
