Empty Nets (Leere Netze) is a gritty and socially conscious drama that showcases the talent and vision of Iranian German filmmaker Behrooz Karamizade. The film, which premiered at the Karlovy Vary International Film Festival, captures the essence of the Iranian New Wave, with its neorealist storytelling and powerful performances.
The story revolves around Amir, a financially impoverished twentysomething who is deeply in love with both the sea and his girlfriend Narges. However, their love is put to the test when her upper-class family demands a significant amount of money from Amir for their daughter’s hand in marriage. Unable to find work locally due to the region’s dire financial climate, Amir takes a job at a fishery on the northern Caspian Sea coast, which requires him to be separated from Narges for long periods of time.
The fishery proves to be a shady operation, with its owner demanding money upfront for Amir’s food and board. Despite the difficult conditions, Amir excels at his work, thanks to his strong swimming abilities. He even participates in an eel-catching gambling competition to earn extra cash. However, as he becomes more involved in the fishery’s illegal activities, including poaching endangered sturgeon and participating in the black-market caviar trade, Amir’s integrity begins to crumble.
The pressure on Amir intensifies when he discovers that Narges’ father is arranging a meeting between her and a wealthy young man for an arranged marriage. Desperate to hold on to his relationship, Amir agrees to smuggle a co-worker out of the country in a small boat, risking his life in dangerous weather conditions.
Hamid Reza Abbasi delivers a powerful performance as Amir, portraying his gradual transformation from a light-hearted, morally upright young man to someone willing to do whatever it takes to keep his relationship intact. Sadaf Asgari shines as Narges, capturing the disillusionment and heartbreak she experiences as she witnesses the changes in Amir.
Director Behrooz Karamizade expertly captures the harsh financial environment of Iran, highlighting the rampant corruption and high unemployment that force people to resort to extreme measures to survive. The film’s gloomy and overcast cinematography by Ashkan Ashkani adds to the oppressive atmosphere, serving as a visual metaphor for Amir’s struggle. The realistic depiction of the brutally difficult conditions at the fishery further immerses the audience in Amir’s world.
Empty Nets also offers a poignant portrayal of the strained relationship between Amir and Narges. As Narges becomes disillusioned with the person Amir is becoming, their love story becomes more heart-wrenching. Karamizade explores the themes of sacrifice, desperation, and the lengths people will go to for love, making Empty Nets a gut-punch of a film.
In terms of production, the film benefits from the collaboration between international production companies BASIS Berlin Filmproduktion, Living Pictures Production, Rainy Pictures, and ZDF/Das Kleine Fernsehspiel. The stellar cast includes Hamid Reza Abbasi, Sadaf Asgari, Keyvan Mohamadi, Pantea Panahiha, Ali Bagheri, Behzad Dorani, Mehrdad Bakhshi, Mojtaba Bahmani, and Ali Mohseni. Karamizade’s direction and screenplay showcase his talent and ability to tell a compelling and socially relevant story.
Empty Nets may be reminiscent of the Iranian New Wave, but it also stands on its own as a powerful and thought-provoking film. It sheds light on the harsh realities faced by many in Iran, while also exploring timeless themes of love, sacrifice, and the human condition. With its outstanding performances, atmospheric cinematography, and gripping storytelling, Empty Nets is a must-see film that leaves a lasting impact.