Andrew Haigh, the writer-director of “All of Us Strangers,” recently spoke about his casting choices for the film during a post-screening discussion at the New York Film Festival. Haigh emphasized the importance of casting a gay actor in the lead role, played by Andrew Scott. He explained that he wanted someone who could understand and portray the nuances of the character’s sexuality without needing extensive explanation.
Haigh also revealed that Paul Mescal, known for his role in “Normal People,” was brought on board to play Adam’s neighbor-turned-lover, Harry. Initially, Haigh had not considered Mescal for the role, assuming he wouldn’t be interested. However, when he found out Mescal was interested, Haigh was thrilled and worked closely with the actors to create an authentic chemistry between them.
In addition to the lead actors, Haigh discussed the casting process for Claire Foy and Jamie Bell, who portray Adam’s parents. He wanted the actors to not only feel like Scott’s parents but also feel personal to him. Haigh explained that he was searching for actors who could embody both aspects, which proved challenging but ultimately successful.
Haigh’s personal connection to the film extended beyond casting choices. He revealed that he shot the film in his childhood home, which he hadn’t visited in 45 years. The house, located just outside London, served as the inspiration for Adam’s childhood home in the film. Shooting scenes there, particularly in his parents’ bedroom, brought back a flood of emotions and made Haigh feel like a child again.
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During the discussion, Haigh also touched upon the film’s intimate scenes. Known for his artistic portrayal of intimacy in previous works like “Looking” and “Weekend,” Haigh acknowledged that the intimacy in “All of Us Strangers” was different from anything he had done before. He emphasized the importance of these scenes having story relevance and worked closely with the actors to capture a real, tender, and authentic portrayal of sex.
Editor Jonathan Alberts praised Haigh’s ability to direct actors in these intimate moments and the wealth of material that comes from having talented actors and nuanced performances. Haigh also mentioned the presence of an intimacy coordinator on set, which was a first for him. He expressed support for the role of intimacy coordinators and the added level of communication and safety they bring to intimate scenes.
Overall, Haigh’s approach to casting, shooting in a personal location, and capturing intimate scenes demonstrates his commitment to creating a story that feels both specific and universal. With “All of Us Strangers,” Haigh continues to explore complex themes and relationships, pushing boundaries to create compelling and emotionally resonant storytelling.
