Melissa Bernstein, the executive producer of Better Call Saul, reflects on her 15-year journey that began with Breaking Bad in 2007. She discusses the success of the shared universe created by Vince Gilligan, which includes Better Call Saul and the sequel movie, El Camino: A Breaking Bad Movie.
Bernstein acknowledges that she has often been described as the de facto showrunner on set whenever Gilligan or Peter Gould, the creator of Better Call Saul, were unable to be present. She credits the success of the show to the writing staff and their meticulous attention to detail.
Reflecting on the final season of Better Call Saul, Bernstein discusses the challenges faced during the pandemic and Bob Odenkirk’s cardiac incident on set. She describes the experience as profound and emphasizes the importance of problem-solving and trust among colleagues.
She also talks about the schedule challenges of having Bryan Cranston and Aaron Paul return for the final season. She expresses gratitude for their willingness to come back and notes the magic of having them back together on set.
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Bernstein discusses the shift in the show’s focus from the feud between Jimmy and Chuck McGill to the doomed love story between Jimmy and Kim. She praises Rhea Seehorn’s portrayal of Kim and expresses her love for the character.
Addressing the misconception that characters in Better Call Saul had to die to explain their absence in Breaking Bad, Bernstein explains that she never truly believed Kim would meet an ill-fated end. She credits the writers, Peter Gould and Vince Gilligan, for avoiding an easy storyline.
Bernstein also discusses the importance of Jimmy being accountable for his actions and finding redemption. She highlights the significance of his relationship with Kim and the need for him to be deserving of her, even if their relationship is no longer romantic.
When asked about the decision on where to end the series finale, Bernstein reveals that she argued for a shorter version of the prison yard scene. She ultimately agrees with Peter Gould’s choice to end the series outside the prison, although she admits to desiring a more upbeat ending.
Lastly, Bernstein shares her experience producing the Game of Thrones prequel, House of the Dragon, and discusses the lessons she has applied from the Breaking Bad universe, such as prioritizing the characters’ internal journeys and thinking through the moments and scenes with that in mind.
In conclusion, Melissa Bernstein reflects on her journey with Breaking Bad and Better Call Saul and expresses her excitement for the series’ last Emmy run. She discusses the challenges faced during the final season and praises the talented cast and crew who helped bring the shared universe to life.
