‘Snow Crash’ by Neal Stephenson Neal Stephenson’s science fiction novel Snow Crash predicted the Metaverse in 1992. This cult book has the amusingly-named Hiro Protagonist running around in an artificial cyber world, trying to stop a virus that wipes minds, aided by his hacker friend Y.T. Reality is a place to escape from, a neoliberal future wrecked by hyperinflation and inequality and run by corporations and gangsters and insane bureaucracy. In many ways, the book is horribly prescient. (It’s also horribly written in places, more like an info dump than a novel.) The Metaverse was a place where people had digital avatars, where they hung out with friends, went shopping and attended concerts. It was full of ads, the infrastructure was owned by a billionaire, and a virus was wreaking havoc on society. It all sounds familiar. It wasn’t COVID-19 of course. The Snow Crash virus caused the infected to lose the ability to think for themselves, and they start speaking in tongues. “Obviously, at the time, we didn’t have social media,” Stephenson told The Washington Post, but added, “I was writing about just a long-standing human trait, which is this tendency for the mind to get hijacked by ideas.” The metaverse can’t enslave you, yet, but the addictive nature of social media suggests it’s possible you might get hooked on a better virtual world, where your hotter-looking avatar interacts with people from all over the planet and has adventures that are not possible in reality. Macbeth Final Production To give you one crazy example of the possibilities, there is an actual theater company in the zombie-infested online wasteland survival game Fallout 76 that puts on Shakespeare plays. So, you can be part of the audience, or even audition and act, if you desire. Almost normal, except you may have to blast a few zombies in the middle of Romeo and Juliet. The ushers patrol the perimeter with chainsaws and AK-47s to annihilate any undead critics seeking to make their analytical discourse upon the performance. This is all very Snow Crash. There is a real tension between the use of virtual worlds for escape or leisure and the impetus for profiteering. Many corporations see the metaverse and metaverse platforms as new continents to be colonized and exploited. If the metaverse develops under a centralized model, then it will be Amazon, Facebook and Google all over again: whale time. A decentralized metaverse built around blockchain technology would be more egalitarian and put the power back in the hands of users. Enter the metaverse, stage left Dr. Christina Yan Zhang Z (Supplied) Dr. Christina Yan Zhang, nicknamed “Dr. Metaverse,” wrote her 2012 thesis about MMORPGs and the early metaverse platform Second Life, so she’s been thinking about this longer than most. She’s now the CEO of the Metaverse Institute. “I think the beauty about the current development of the metaverse is basically the convergence of a whole range of different technologies coming together. Many of them are getting more advanced to really help to create the next generation of internet, which is more immersive, interactive and intuitive.” She sees the metaverse as an enabling technology to improve interaction in both real and digital worlds. Gaming writer Wagner James Au has just finished a book that will be published in June titled Making a Metaverse That Matters. Back in the early 2000s, he was the “virtual journalist named Hamlet” in Second Life. His white-suited avatar (a nod to Tom Wolfe) went around submitting dispatches from that virtual world. He envisions there being multiple metaverses: “It’s going to be based on the community; it’s going to be based on culture and aesthetics. For example, Roblox is huge, but it’s primarily with kids. And the aesthetics are very intentionally looking like Legos. You could jump from Roblox to Fortnite, then Fortnite to VR chat. So, it will not be a single, virtual world.” Wagner James Au in Second Life (New World Notes) He continues, “I define it very directly from what Snow Crash described: It was a vast virtual world with user creation tools and highly customizable avatars that is integrated with the real world economy.” “In other words, you can make money from it and also integrate with external technology so you can actually hook it up to other technology beyond the immersive 3D experience.” Read also Features Crypto is changing how humanitarian agencies deliver aid and services Features From Director of the United States Mint to the Very First Bitcoin IRA Customer Snow Crash and capitalist realism Science fiction and fantasy are known for creating new worlds to experience through literature, art and cinema. These genres have roots in the pervasive zeitgeist of their time, so they can often end up being unimaginative about new political or social opportunities. Tragic, influential British culture theorist Mark Fisher (who committed suicide in 2017) defined this as “capitalist realism,” the notion that capitalism is the only political structure and even visionary literature can rarely rise above imagining variations on this. Mark Fisher Tribute Archive Snow Crash posits a dystopian real world that makes escape into an alternative fantasy more attractive: Hiro is a pizza delivery boy in real life; in the Metaverse, he is the greatest swordsman alive. The greatest tragedy would be if the specter of “capitalist realism” made the metaverse a mirror of the existing world. A virtual world where we peddle virtual crap to each other to keep our “likes” or crypto coming in. Roblox is a classic example: Its business model involves kids creating stuff with other kids that provides an income stream from their creativity. Web1 promised liberation but didn’t fulfill it. Web3 needs decentralization so that corporations do not overwhelm it as they have with previous iterations of the internet. The metaverse is not without its challenges. Magazine’s Jillian Godsil looks at some issues here. Author and futurist Bernard Marr also highlights some serious drawbacks. Seven big problems Bernard Marr. (BernardMarr.com) Author and futurist Bernard Marr says, “I’m super-excited about this technology,” but that comes with a warning about the potential perils of the metaverse. He has identified seven major problems and disadvantages highlighting the downsides to the virtual worlds. Most are quite knotty challenges, which won’t be easy to solve in a malleable, constantly evolving world open to deviant behavior. Privacy issues “We already have privacy concerns when we browse the web,” Marr says. “The technology that is already tracking our behavior online will also exist in the metaverse, and the tracking is likely to become even more invasive and intense.” Wearable, haptic devices could measure all kinds of physical effects such as heart rate and sweating. “Enormous amounts of data could be collected and used by companies for marketing or other purposes,” Marr continues. Safety of children “As parents, it’s already difficult to track what our kids are doing online, and that challenge will continue with the metaverse. Understanding what our kids are doing in the metaverse will be even more challenging because we can’t see the world they’re looking at in their VR headset, and there is no process in place for monitoring their screens using tablets or phones,” Marr opines. Health concerns The result of spending your entire life in the metaverse could result in everyone looking like the Axios Humans in Wall-E. “VR hangovers” are also a thing: The sadness and angst that come from leaving a very intense, absorbing experience and returning to reality can create a comedown similar to drugs or drinking. Gaming or internet addiction is already impacting mental and physical health, so it could potentially be even worse in the metaverse. Axios Humans in ‘Wall-E’ (Pixar) Access inequality Bernard Marr says, “In order to use augmented reality, we need the latest smartphone and handset technology, and VR experiences require high-tech, expensive headsets as well as strong and reliable connectivity,” he says. “How can we make sure that everyone in the world has equal access to the metaverse, and not just the people who have the most money and live in developed countries?” This issue concerns Zhang, too. She sees Starlink as a way forward: “The reason I mentioned Starlink is because one-third of the global population are still suffering from the digital divide, so they do not have access to the internet. Those smaller Starlink satellites can cover the most remote areas in…
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