The Venice Film Festival attracts filmmakers and movie enthusiasts from all over the world, eagerly awaiting the premiere and critical reception of various films. One particular film that had its filmmakers on edge after the first press screening was Luc Besson’s “Dogman.” Besson, known for his directorial prowess and distinct style, was labeled by the media as making a “comeback” with this dark thriller. Starring Caleb Landry Jones and approximately 70 dogs, “Dogman” was Besson’s first feature since his 2019 film “Anna,” and it marked his return after facing rape accusations, which were later cleared by a French judge. However, Besson himself doesn’t view “Dogman” as a comeback film but rather as another opportunity to create a film that brings his writing to life.
When asked about the pressure of making a comeback, Besson expressed his thoughts on the uncertainties that come with being an artist. At 60 years old, he acknowledges that one never knows when their creative abilities will decline. He strives to avoid overstaying his welcome and continuously aims to produce meaningful work. Besson understands that he might still have one or two more films left in him, depending on whether he still has something to say through his movies.
Although “Dogman” incorporates elements of action and comedy, many viewers and critics have recognized its departure from Besson’s previous works, particularly in its exploration of darker and more emotional themes through Caleb Landry Jones’ character. Besson attributes this shift to his personal growth as a filmmaker and the accumulation of years of experience. With nearly five decades of filmmaking behind him, he believes he has gained the focus and ability to express himself more effectively, marking a natural evolution in his style. However, despite the film’s darker tone, Besson maintains that it remains vibrant and colorful in his eyes.
Moreover, “Dogman” is a significant milestone for Besson as it marks his first film competing in a major festival. Besson expresses his gratitude and acknowledges the tough competition among the films in Venice that year. He acknowledges the exceptional quality of the films showcased and admits that losing to such incredible contenders wouldn’t be a disappointment.
Throughout the years, Besson’s personal life and off-screen controversies have made headlines. However, he remains unfazed by the potential impact these controversies might have on the success of “Dogman.” Besson firmly states that it is not his concern and that his role as a filmmaker is to focus on his craft. He sees himself as an artist painting a picture and remains committed to his work, regardless of external factors.
The positive reception “Dogman” received during the press screenings ahead of its premiere further solidified Besson’s position as a respected filmmaker. At the subsequent press conference, he received rapturous applause, and some journalists were even moved to tears, making it evident that the audience in Venice was eager to see more films from him. Despite the commercial disappointment of his previous film, “Valerian,” Besson expressed his desire to return to big-budget science fiction if given the opportunity and adequate funding.
Besson’s enthusiasm for creating films in unique and imaginative settings, such as space, remains unwavering. He humorously quipped that with a budget of $200 million, he would gladly embark on another space-themed movie. This remark showcases his passion for pushing boundaries and his willingness to take on ambitious projects. If given the resources, Besson’s creative vision could potentially transport audiences to exciting and visually stunning worlds once again.
In conclusion, Luc Besson’s “Dogman” may have been labeled a comeback film by the media, but the director himself sees it simply as another opportunity to bring his stories to life. Throughout his career, Besson has constantly evolved as a filmmaker, and “Dogman” showcases his exploration of darker themes while staying true to his distinct style. The positive reception in Venice indicates that the audience is eager to see more from him, with the possibility of him returning to big-budget sci-fi projects in the future. Despite the controversies surrounding his personal life, Besson remains focused on his craft, undeterred by external factors, and committed to creating compelling and visually striking movies.
