Netflix is in talks to acquire Anna Kendrick’s directorial debut, “Woman of the Hour,” for approximately $11 million following its world premiere at the Toronto Film Festival. The true-life thriller, which was first pitched at TIFF by Kendrick and AGC Studio’s CEO Stuart Ford, is being produced and fully financed by the duo. While Netflix’s interest in a U.S. distribution deal is not yet confirmed, CAA Media Finance, which is handling U.S. sales for the project, has reportedly received multiple offers for the film.
In addition to directing, Kendrick also stars in “Woman of the Hour” as Cheryl Bradshaw, a contestant on the popular 1970s TV matchmaking show, “The Dating Game.” The film explores a horrifying twist in the tale when Bradshaw’s date, Rodney Alcala, is revealed to be a psychopathic serial killer in the middle of a murder spree. Shot in Vancouver, the movie follows Bradshaw’s struggle as a struggling actor who decides to appear on the show, only to have a terrifying encounter with Alcala.
Due to the film’s lack of a SAG-AFTRA interim agreement, it is eligible for sale to a streaming giant early in the Toronto film sales market. As a result, Netflix’s potential deal for “Woman of the Hour” could become the first major movie acquisition during this year’s TIFF. The screenplay, written by Ian MacAllister McDonald, has garnered attention and anticipation, setting the stage for a successful debut for Kendrick as a director.
Aside from Kendrick, the cast of “Woman of the Hour” includes Tony Hale, Daniel Zovatto, and Nicolette Robinson. Their performances, combined with Kendrick’s talent as an actress and now a director, have generated excitement among audiences and industry professionals. The film’s premiere at the Princess of Wales Theatre, a popular venue for acquisition titles, added to the buzz surrounding the project.
The potential acquisition of “Woman of the Hour” by Netflix underscores the streaming platform’s ongoing efforts to secure high-quality content for its subscribers. With an $11 million deal, the company could further establish itself as a major player in the film industry. This move also signals the growing prominence of streaming services in the distribution landscape, attracting both emerging and established filmmakers to explore the platform’s potential.
For Anna Kendrick, the success of “Woman of the Hour” could serve as a launching pad for her directing career. Having proven her acting prowess in numerous films, including the “Pitch Perfect” franchise, Kendrick now showcases her multifaceted talents by stepping behind the camera. If the acquisition deal with Netflix is finalized, it would not only validate Kendrick’s directorial vision but also provide her with a wider audience for her work.
“Woman of the Hour” delves into a true story that is both thrilling and chilling. The juxtaposition of a lighthearted TV dating show with the revelation of a serial killer creates a tense and captivating narrative. With Kendrick at the helm, the film promises to explore the complexities of the human psyche while delivering a gripping and suspenseful experience for viewers.
The Toronto Film Festival serves as a platform for filmmakers to showcase their latest works and attract potential buyers. The inclusion of “Woman of the Hour” in the festival’s lineup reflects the interest and excitement surrounding the film. Kendrick’s involvement, both as a director and lead actress, adds to the anticipation as audiences eagerly await the release of this unique and compelling project.
In conclusion, Anna Kendrick’s directorial debut, “Woman of the Hour,” is generating buzz and attracting attention at the Toronto Film Festival. The potential $11 million deal with Netflix signals the streaming platform’s commitment to quality content and further establishes its prominence in the film industry. Kendrick’s talent and versatility as an actress and director, combined with the gripping storyline of the film, have created anticipation among audiences. As the film garners praise and recognition, it serves as a stepping stone for Kendrick’s burgeoning directing career.