In episode seven of the second season of “And Just Like That,” Nicole Ari Parker’s character, Lisa Todd Wexley, faces a personal invasion by her son’s love interest. The girl, who does not respect Lisa’s authority, enters her sacred space: her closet. This moment takes viewers inside Lisa’s closet, which represents the fashion and identity of a Black woman in New York City’s upper crust. This unique perspective offers a rare glimpse into the experiences of Black women on television.
Nicole Ari Parker, in an interview with The Hollywood Reporter, discussed the significance of exploring Lisa’s closet and how it reflects her character’s strength. The show’s writing and storytelling allow viewers to understand Lisa’s fashion choices and connect with her on a deeper level. It’s not an overt message but rather a subtle way of showcasing her identity and heritage.
The addition of Susan Fales-Hill as a writer-producer and the collaboration with the art and props department helped bring Lisa’s character to life. Parker explains that while the show is fantastical and over the top in terms of fashion, Michael Patrick King, the showrunner, wanted to capture the everyday clashes and dynamics that each character brings to the room. Parker also emphasizes the importance of having a fully developed character, especially when introducing a Black character to a predominantly white show. Lisa’s personal space, her ancestry, and her family history are all essential aspects of her character’s identity.
Despite facing criticism for its heavy-handed approach to diversity, Parker speaks positively about the show’s exploration of important issues. The Wexley family addresses racism in the cab industry, the politics and pride surrounding Black hair, and the experiences of being Black and successful in America. These storylines may be brief but carry significant meaning. Parker acknowledges that while the show could further explore these topics, the ability to touch on them in short moments is powerful.
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Parker points to the generational narrative around hair and presentation between Lisa and her mother-in-law, as well as a scene where Lisa and her husband face their parents at an anniversary dinner. These moments delve into the tensions between creativity and financial stability, highlighting the complexities faced by Black individuals. Parker believes that these conversations are happening in Black households and commends the show for including them.
She also discusses the talented cast members who portray Lisa’s relatives, such as Pat Bowie and Gayle Turner. Parker expresses her joy at working with such talented actors and appreciates the thoroughness and thought put into every aspect of the show, from the pictures posted on Lisa’s desk to the smaller exchanges with other women on set.
In conclusion, the second season of “And Just Like That” expands on the fashion and identity of Lisa Todd Wexley, a Black woman in New York City’s upper crust. This exploration is part of the show’s overall approach to its more racially diverse cast, allowing characters of color to have fuller lives and experiences. While the show has faced criticism for its diversity, Nicole Ari Parker praises the storytelling and the inclusion of important issues in brief moments. The show’s ability to touch on these topics reflects the complexity and depth of its characters and celebrates the talent of the cast.
