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Home Entertainment News

Very Sad Me – The Hollywood Reporter

URECOMM NEWS by URECOMM NEWS
September 3, 2023
in Entertainment News
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Very Sad Me – The Hollywood Reporter
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David Fincher, the director of “The Killer,” has urged Hollywood studios and streamers, as well as striking actors and writers, to return to the negotiating table. Speaking at the Venice Film Festival to launch his Netflix assassin movie, Fincher expressed his sadness at the ongoing labor disputes. He understands both sides of the argument but believes that encouraging dialogue is the only way forward.

“The Killer,” which was made during the pandemic, is a hardboiled noir film that focuses on a titular assassin played by Michael Fassbender. The movie follows the assassin’s international manhunt after a previous job goes wrong. Fincher describes it as a simple and compelling drama with high stakes and a procedural approach. The film adapts the graphic novel series of the same name, taking audiences into the mind of the assassin as his meticulously constructed world starts to unravel.

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One unique aspect of the film is that the lead character remains unnamed and known only as The Killer. Fincher deliberately portrays the assassin as ordinary and mundane, thereby heightening the suspense and making audiences question the people around them. He wanted to evoke a sense of unease in viewers, making them nervous about the person standing in line behind them at Home Depot.

“The Killer” is set to hit select theaters on October 27 before making its Netflix debut on November 10. The cast includes Charles Parnell, Arliss Howard, Sophie Charlotte, and Tilda Swinton. This film continues Fincher’s collaboration with Netflix following the success of his 2020 feature “Mank,” which received 10 Oscar nominations and two wins. Fincher also served as an executive producer for the streaming platform’s acclaimed series “Mindhunter.”

Fincher’s call for both sides to return to negotiations reflects the current standoff between Hollywood studios and streaming services, as well as the ongoing labor disputes between actors and writers. With the rise in popularity of streaming platforms, traditional studios are grappling with how to maintain their dominance in the industry. This has led to clashes over contract terms, residuals, and profit-sharing models.

Streamers, on the other hand, are challenging the traditional studio system by offering more creative freedom and financial incentives. However, these new platforms also face criticism for their low pay rates for actors and writers, as well as their lack of transparency and accountability. The conflicts between Hollywood studios and streamers have been further exacerbated by the COVID-19 pandemic, which disrupted the industry and led to increased tensions.

Fincher’s plea for dialogue reflects a desire for a resolution that benefits all parties involved. As a respected director who has worked with both traditional studios and streamers, he understands the complexities and challenges faced by both sides. By encouraging discussions, Fincher hopes to foster a more collaborative and equitable industry.

The success of “The Killer” will be a testament to the power and potential of streaming platforms in the film industry. With its premiere at the prestigious Venice Film Festival, the film showcases the quality and diversity of content that can be produced for streaming platforms. Fincher’s collaboration with Netflix has already yielded critical acclaim and awards recognition, and “The Killer” aims to continue this trend.

Ultimately, the resolution of the labor disputes between Hollywood studios and streamers, as well as actors and writers, will require open communication and compromise. As Fincher suggests, both sides need to sit down and prioritize finding common ground. The future of the industry depends on maintaining a balance between traditional studio practices and the innovations brought forth by streaming platforms.

In conclusion, David Fincher’s call for both Hollywood studios and streamers, as well as striking actors and writers, to return to the negotiating table reflects the ongoing labor disputes in the industry. His film, “The Killer,” exemplifies the potential of streaming platforms in producing high-quality content. By encouraging dialogue and compromise, Fincher hopes to create a more equitable and collaborative industry for the benefit of all involved.

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